Cake shows mature side with ‘Showroom’

Cake’s latest album, “Showroom for Compassion,” is worth buying — like legally. As in going to Amoeba and buying it new, still in the shrink wrap, with money.

GRAPHIC COURTESY OF UPBEAT RECORDS By Matthew GomezThe Guardsman

Cake’s  latest album, “Showroom for Compassion,” is worth buying — like  legally. As in going to Amoeba and buying it new, still in the shrink  wrap, with money.

Those who download the album from iTunes do get a bonus track, but the point is, this album is quality listening material.

Some  bands age like wine and some age like milk, but Cake always sounds like  Cake. They never seem to change their sound, yet always manage to sound  original. Their music is like the ice cream man’s jingle: there’s no  doubt who it is.

"Showroom  for Compassion," which debuted at number one on the Billboard 200  charts, is the Sacramento-based band’s mellowest album to date.

None  of the songs have the energy of their hits like “Short Skirt, Long  Jacket,” and there is a saddening lack of trumpet. While these changes  don’t necessarily detract from the album, they are definitely noticeable  to die-hard fans.

The  Moog synthesizer still plays a key role in the album, but overall Cake  has grown up a bit. Their music from a decade ago, while formally  categorized under alternative rock, distilled elements of ska, pop and  rockabilly. But all that has evaporated from their sound.

The  intro track “Federal Funding” is a nice warm-up for what’s to come — 40  minutes of steady flowing music that is as satisfying as a Hostess  cupcake. John McCrea’s tongue-in-cheek humor is present in the intro  when he sings “You’ll receive the federal funding/You can add another  wing/Take your colleagues out to dinner/Pay your brother to come and  sing.”

The  highlights of “Showroom for Compassion” include “What’s Now Is Now,”  which, with the Moog, sounds like incredibly good elevator music and  “Long Time,” a sure dance hit for their upcoming tour.

That’s  right! Cake will be playing four shows at the Fillmore Feb. 14-17 as  part of their “An Evening with Cake: Showroom of Compassion World Tour”.  Get tickets now, because their first and last shows have already sold  out.

Always  on the fringes of the music scene, Cake has never seen mainstream  success comparable to other 90s bands like Smashing Pumpkins and  Radiohead. Their biggest claim to fame possibly came in 1999, when  Cake’s single “Never There” reached 78 on the Billboard Hot 200 songs.

But  nowadays, with a patient fan base that has waited for them to resume  touring, Cake has reached status of a band that transcends its own era.

Cake  has definitely gone the distance with this album, and perhaps more  people will take notice of a band that has always deserved the  spotlight.